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We used to be in radio.

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A government is an object.It's easy to push right past this, but it's quite crucial when you stop to consider what else a government might be. In an authoritarian mindset, government is an absolute, and citizens are subordinate. Ethically the government becomes an end in itself, regardless of its actions. Alternately, one might simply state that government is a collection of people, which is almost always true in some sense, but as a starting principle drives towards an adversarial relationship -- especially when that collection of people begins the collection of taxes. Government as an object, however, is necessarily subordinate to its citizens (presuming we here agree to value people more greatly than objects, yes?). Any powers granted to such a government must be inherently necessary for its purpose. Any other powers are not legitimate powers of government -- any more than a bow-tie is part of a lawn mower.
Because Hitler wanted to end the war in 1940, almost two years before the trains began to roll to the camps.Here there is a vague and bewildering implication that the Holocaust could somehow have been avoided by leaving Hitler in power. There are no doubt hypothetical scenarios that might achieve this, but to blame Britain and France strikes me as bizarre. If war had been avoided (somehow), Hitler might have had less territory in which to build concentration camps, but it seems doubtful he would have been less genocidal in general.


..Old School Convertibles. Summer trunk music. If you own a car, it should play this whenever it is on.Third, notice the perspectives. Architectural perspectives are rendered with extreme precision, with almost loving attention to detail; however, people and animals are out of proportion, poorly articulated, and vastly out of scale with the backgrounds. Figures are rendered with wanton disregard for anatomy or accurate animation. This is the primary reason he was rejected by the Vienna School of Fine Arts: "Test drawing unsatisfactory."So we can reassure ourselves that Hitler was nothing terribly interesting on the art front. What if he had been? I'm not sure how we would handle it. Hitler, in contemporary language, occupies a unique role: he is a historical individual with no redeeming qualities, the nadir of moral expression. And he occurred after the bulk of our moral and historical framework was in place -- Nero and Attila the Hun are less singularly alarming for that reason. What would we do without him? Probably substitute Stalin -- Stalin doesn't have a lot going for him, though he was smarter than Hitler. World War II would have gone quite differently, save for a number of monumentally poor strategic decisions by Hitler.
Underrated is a Zen place to be. What I mean by that is you can only be underrated for as long as people do not notice that you are underrated. Once someone starts calling you underrated, you begin to lose your footing. When enough people start calling you underrated, you stop being underrated. And when you become known as the “most underrated anything,” well, the jig is up.Overrated has slightly different problems. When you say something is overrated, there is a risk that what you are actually saying is that you object to other people enjoying it. It actually directs your point away from whatever it is you object to, and makes it an attack on the fans. Here's the thing: fans are easy targets. You can find idiots in favor of nearly anything; it's very easy, in any sort of public debate, for both sides to trot out opposing idiots as straw men.

Whitey: Santa Claus, you stand accused of crimes against humanity. How do you plead?
Bender: Not Santa!
[Farnsworth stands up and points at Bender.]
Farnsworth: There he is again!
[He shoots Bender in the back.]
First, the supply of status in a given society is fixed. If I go from being the 198,745,647th most popular person in the United States to the 198,745,644th most popular person, I must displace some others on the way up. In the game of status, not everyone can be a winner. Second, conspicuous consumption leads to an arms-race mentality that produces wasteful consumption. Every dollar or minute I spend pruning my outfit or adjusting my bookshelf is a dollar or minute that I will not be spending on something intrinsically enjoyable, like writing a blog post.Firstly, the notion of "status" as a single, linear scale is demonstrably nonsense. Consider the case where the book is Das Kapital, and then consider Atlas Shrugged. Each book will signal something different to different observers, not a flat "+15 status points." The idea of a unified status scale only works if you conflate "status" with "wealth" -- which, to be sure, often occurs in normal cases of conspicuous consumption (indeed, since the Kindle is an expensive luxury, it fits the traditional definition better than any single book). There is a difference between signals which are intended to convey superiority and those which are intended to convey certain values or interests (they may be intertwined, however).
I am always wracked by sentimentality, in large part because I demand to live in a context rich with emotional meaning. I invest everything around me with a narrative, or a place in a larger narrative, until everything is more or less humming with crucial purpose. You may be wondering, what does this have to do with Red Faction?This piece on Penny Arcade touches on a number of things I've been going on about lately (or will be going on about shortly), mainly a certain kind of subjectivity in art. Video games are especially apt in this way, since the actions of the player change the content of the game in a much more recognizable way than, for example, how one approaches a painting.
I respect this man. Not so much as a rapper. But definitely behind the boards. Also, he's always seemed a bit unhinged and I hear he's into guns. Plus, look how nice those Jordans are.
Shocking, to be sure. 

i’m goin for the goal.
my heart is in control.
my mind is on succeed.
and i am in the lead.
don’t buy into the schemes,
the science or stratege.
just giant n.u.t.’s
bring triumph and belief.
i’m reliant, or redeem,
never tired or fatigued,
never defiant to my team,
never lyin on da thing,
until i’m lyin on da thing
hooked to wires and things.
imma die as a king.
if i don’t do it now,
i’m gonna try it again,
and when i do accomplish it,
i’m gonna try it again.
i’m a riot—insane.
i’m a lion, my mane
hangs
down to my strings,
and they’re tied to the game.
i stay dry when it rains.
i’m tired of the fame.
got everything to gain,
and i’m proud of the pain,
the bride in the plain,
the wise and the strange.
denied by the same.
besides, we’re the same.
who’s guiding the train?
who’s flying the plane?
who’s driving the lane?
who dies when it bang?
who fires when it bang?
who lies in the aim?
two lives in the drain.
who cries when he sang?
you hide, but you can’t.
you high, but you ain’t.
i advise you to think.
you’ll find what you can’t.
revive what you taint.
survive what you bring.
supersize what you shrank,
the fries and the drank.
admired as a saint,
defined by my rank,
combined with my strength,
my time and my length.
imma iron out the kinks.
yes i’m on a rink,
and in the eye of a wink,
imma retire in a bank.
The song is also dedicated to Michael Phelps, which is great stuff, because I approve wholeheartedly of all of Phelps' post-Olympic recreational activities. Did you know he's writing a children's book?

I know Maciej has already expressed his love for Jeezy's The Recession album that came out at the end of 2008. He said that the trap star seemed to be improving lyrically. I agreed with that assessment, and I'm happy to say that things just keep getting better. This latest mixtape is pure fire all the way through. In fact, I think the title track might be the best verse Jeezy's ever laid.